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Running time160 minutesCountryIndiaLanguageTamilBudget120 millionAnbe Sivam ( transl. Love is God) is a 2003 Indian film directed and co-produced by with K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of. The film was written by, and provided the dialogues. Anbe Sivam features Haasan, and in the lead roles, with, and playing supporting characters.The film tells the story of an unexpected journey from to undertaken by two men of contrasting personalities, Nallasivam and Anbarasu.

The musical score was composed. And undertook responsibility for the film's cinematography and art direction, respectively.Produced on a budget of 120 million, Anbe Sivam takes on several themes, including, and, and depicts Haasan's views as a. The film was released on 15 January 2003 to positive reviews from critics, but at the box office. Despite its failure, it gained recognition over the years through re-runs on television channels and is now regarded as a classic and a in.Anbe Sivam was screened as part of the Indian Panorama section of the in 2003. At the, it received a and received nominations in the and (Haasan) categories.

Madhavan was awarded at the 2003. Contents.Plot Two men waiting for a flight to at the in engage in conversation. One is a, Anbarasu, who prefers the abbreviated name A. Aras, and the other is a scarred and deformed socialist, Nallasivam, alias Nalla. When the flight is cancelled due to heavy rain, Aras initially suspects Nalla is a terrorist and informs the authorities, only to discover that he was mistaken. With the rain flooding the city, the two men are forced to share a room for the night.

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Both need to return to Chennai: Aras to be present at his wedding, and Nalla has to deliver a ₹3,200,000 cheque, recently awarded to him after he won a court case, to a group of union workers. After a traumatic night, and no hope for a flight, the two men take a bus to board the train. Aras' bag gets stolen on the way leaving him with only his credit card, which no one accepts. Using his presence of mind, Nalla repeatedly bails Aras out of trouble while Aras tries escaping from him at every juncture, only to end up with him again. While waiting for the train at the railway station, Nalla begins to tell Aras his story.A few years earlier, a healthy Nalla took part in various performances protesting against, that resulted in the marginalisation of the. He was at odds with Kandasamy Padayatchi, a manipulative factory owner who refused to give his workers a raise. Nalla satirically imitated Padayatchi in many of his shows.

However, in an unexpected turn of events, Nalla and Padayatchi's daughter Balasaraswathi alias Bala, fell in love with each other. To avoid a potential conflict with Padayatchi, the two decided to elope to Kerala. Nalla boarded a bus bound for Kerala, and on his way to meet Bala, the bus crashed on a hillside leaving him scarred, disfigured, and partially paralysed for life. After recovering from his wounds, he visited Bala only to be informed by Padayatchi that his daughter was already married and has settled abroad. Padayatchi had earlier lied to Bala that Nalla died in the accident. It was also at this time that Nalla became a firm believer in kindness and love.

Despite suffering from an inferiority complex due to his scarred and deformed body, Nalla performs community service and social work with renewed fervour while continuing to fight for union causes.Upon their arrival at Chennai, Aras delivers Nalla's cheque to the union workers. He invites Nalla to his wedding, where, to his utter astonishment, Nalla sees that Aras's bride is Bala. Padayatchi spots Nalla and asks him why he is at the wedding. He tells Padayatchi that he was invited by Aras, and later persuades him to sign the papers which will help Padayatchi's workers get a raise.

To prevent the disruption of Bala's wedding and avoid damaging his own reputation, Padayatchi yields to Nalla's demands. After signing the papers, Padayatchi instructs his assistant to eliminate Nalla.

However, his assistant has a change of heart as he is about to kill him. Padayatchi's assistant believes that the misdeeds he committed for Padayatchi resulted in the death of the assistant's daughter. Padayatchi's assistant requests Nalla to stay as far away from his boss as possible; Nalla assents and walks away.Cast. And play the roles of Nallasivam and Anbarasu, respectively. as Nallasivam alias Nalla. as Anbarasu alias A. Aras.

as Balasaraswathi alias Bala. as Kandasamy Padayatchi. as Padayatchi's assistant. as Balasaraswathi's aunt. as Uthaman. as Mehrunissa.

Pasi Sathya as a tea stall owner. as the train ticket checker for the Coromandel Express. as the Ichchapuram railway station master. as a police inspector and aide of PadayatchiProduction Development After completing the draft for a film's script in early 2002, Kamal Haasan approached the filmmaker to direct it. The two men were keen to work together since the late 1990s, and upon reading the script, Priyadarshan believed that it had the potential to be an 'emotional love story'.

The film's title Anbe Sivam was derived from the saint 's poem.In June 2002, Priyadarshan opted out of the project owing to creative differences. He was replaced by, who agreed to produce the film as well. Anbe Sivam was co-produced and distributed by Swaminathan, K.

Muralitharan and G. Venugopal under the production banner of. Cast and crew In addition to being the film's writer, Haasan also played the central character.

Madhavan was selected to play the film's second lead in January 2002. According to Kiran Rathod, she received a phone call from Haasan's office informing her that she was offered the role of Balasaraswathi, which she accepted. Rathod's voice in the film was dubbed by the singer.

Uma Riyaz Khan played the role of Kamal's friend and professional colleague, Mehrunissa. In a 2019 interview with, the film's script assistant and costume designer, Sujatha Narayanan, revealed that and were the original choices for Balasaraswathi and Mehrunissa respectively and that both of them declined due to schedule conflicts.He Kamal came over to me and said, 'Madhavan, I have seen some of your work and they were good.' . Then he continued, 'I have something for you. We should catch up!'

. that was how Anbe Sivam happened.

Mexican painter 's, served as an inspiration for Nallasivam's painting to indicate the atrocities committed by Kandasamy Padayatchi.The film critic, in his review of another Haasan film, (2013), found the ethnicity of the characters in the film to be a continuation of Haasan's inclusion of non-Tamil characters in his films. Rangan considered this to be Haasan's acknowledgement of the 'interconnectedness of the nation' and 'the world beyond India'. He pointed out in his article that Haasan had experimented with the concept before by including the usage of and meeting in (1994), a love interest in (1994), marrying a Bengali woman in (2000), conducting investigations with an associate in (2006), and marriage to a in (2010). Rangan notes that in Anbe Sivam, the inclusion of and interaction with the was another example of including non-Tamil characters in his films. Rangan also compared Haasan's fight sequence with the use of an umbrella to the way he used a book and stool in (1983).According to a critic from, the basic plot of Anbe Sivam bears resemblance to the 1987, directed by, which starred and in the lead roles.

The critic noted Haasan and Madhavan's character share similar traits to that of the roles played by Candy and Martin in that film, respectively. The portrait painted by Nallasivam on the walls of Padayatchi's house is inspired by the Mexican painter 's,.

The painting shows Nallasivam posing as Padayatchi's deity Shiva, the number 910 indicating the salary Padayatchi pays to his factory's workers, and the communism symbol. Aravindan Neelakandan from Swarajya commented on the influence of in the painting, believing it to be 'an empty vehicle to convey his ideology and is bereft of any intrinsic value in itself.' Srinivasa Ramanujam, writing for The Times of India in 2008, noted that the religious undertone in the film was similar to that of 's (2002). Music Anbe Sivamby. Released2002Recorded2002Length35: 16LanguageAyngaranchronology(2002)Anbe Sivam(2002)(2003)The soundtrack album and background score for Anbe Sivam were composed by, and the lyrics for the songs were written.

After composing the tune for the title song, Vidyasagar explained the situation of the song to Haasan, who wanted the song to be performed in such a way that the protagonist is singing according to the situation he finds himself in. Vidyasagar suggested that Haasan should sing the song himself to achieve the desired result, which the latter accepted.

The song 'Mouname Paarvayai' was not included in the film. The song 'Poovaasam' is based on the Shuddh Sarang.

The male portions for the reprise of 'Poovaasam' were sung by, while the original version was sung. Sang her portion of both versions of the song.Malathi Rangarajan of The Hindu wrote, 'Vidyasagar is scaling great heights as a composer. The theme song and the melodious 'Pon Vaasam' sic are pointers. Vairamuthu's lyrics deserve special mention here.' Singer, in her column for The Hindu, 'A Raga's Journey', noted, 'Poovaasam' possessed 'a charm that is born out of classicism incorporated in a populist piece'. Arkay of found the songs to be 'at best, okay'. Suganth of The Times of India, in his review for the music album, 'Lovers Special – Vol.

2–4', included 'Poovaasam' among the 'Hot Picks' of the album. Anbe Sivam',04:222.' Elo Machi'VairamuthuKamal Haasan,04:373.'

Mouname Paarvayai', Chandrayee04:394.' Naatukkoru Seithi'VairamuthuKamal Haasan, Chandran08:126.' Elo Machi' (Reprise)VairamuthuUdit Narayan,04:377.' Poovaasam' (Reprise)Vairamuthu, Sadhana Sargam04:25Total length:35:16Release, reception and awards According to S. Ashok Kumar of The Hindu, the producers were confident that Anbe Sivam would be a strong competitor at the that they had the film reviewed by the before the end of 2002 so that they could enter the film into the annual awards list. The film was released on 15 January 2003, which coincided with the festival. It opened alongside five other films, including 's, 's, and, which featured.Anbe Sivam was screened as a part of the Indian Panorama section of the in 2003.

As a tribute to Safdar Hashmi, a special preview of the film was organised by Haasan in association with Safdar Hashmi Memorial Trust (SAHMAT) on 9 January 2003 at. The film was dubbed into Telugu as Sathyame Sivam and released on 28 February 2003. It was dubbed into Hindi as Shivam two years later in 2005. After the release of the original Tamil version, the dubbing rights for the Hindi version were sold at a low price, much to the irritation of the lead actors as they were not able to dub for themselves in Hindi. Critical response Baradwaj Rangan described the film as 'Kamal's latest solo attempt to bend, twist, shape-shift Tamil cinema into forms never-before seen.' In his review of the film's DVD, M. Suganth, writing for The Times of India, called it 'one of the finest movies of the decade' and praised the story, screenplay and dialogues before terming the film as 'a modern classic'.

Reviewing the Telugu dubbed version, Sathyame Sivam, Jeevi of said that 'this art-kind-of film does entertain the people who love Kamal Hassan flicks' while concluding that it 'would remain as one of the good films made in the recent times'.Malathi Rangarajan of The Hindu believed that 'well-defined characters, a strong storyline and intelligent screenplay' were the film's 'vital ingredients'. She further complimented Haasan's treatment of the story, and that his 'diligence that has gone into the chiselling of the story and screenplay is only too evident', while calling the film 'a laudable effort'. Devarajan of appreciated Haasan's performance and facial expressions and concluded his review by stating, 'This man has intrigued me and will always.' Another critic from The Hindu, Gudipoodi Srihari, appreciated the pair of Haasan and Madhavan, noting that the duo 'make a fine combination of pals each with different mental make up, but goodness overflowing.' Sujatha Narayanan, in a retrospective review for commended Haasan's writing and Madhan's dialogue, finding them to be 'peppered with sharp wit, trivia and emotional depth.' A reviewer from, in comparison, labelled the film as 'average', stating that it was 'another predictable and corny film which is neither a comedy caper nor a class act.'

Similarly, Arkay of Rediff.com praised the performances of the lead cast but wrote the film 'tries to do too many things, and ends up failing at most, if not all, of them.' Anand of Outlook felt the film's thematic ideas of communism were presented in a 'cliched' manner, and summarised by saying, 'If Rajnikant staked claim to divinity on a right-wing plank with Baba, Kamal does it with pretensions to rationalist-left rhetoric.' Box office During the first week of its theatrical run, an analysis by of The Hindu showed the film to have grossed ₹13.1 million in Chennai alone. Despite this, the film at the box office and incurred heavy losses for Lakshmi Movie Makers, effectively stopping them from investing in other ventures for the year 2003. An estimate by D.

Govardan of places the losses at ₹65 million, while Arun Ram of states the losses incurred to be ₹50 million. Srinivasa Ramanujam of The Times of India compared the film's failure at the box office to that of Baba. Muralitharan and Haasan defended the film's failure by blaming, with the latter stating that 'lots of people saw it, but they didn't pay'.

Accolades AwardDate of ceremonyCategoryRecipient(s) and nominee(s)ResultRef(s)K. Muralitharan, V. Swaminathan, G. Muralitharan, V.

Swaminathan, G. VenugopalNominatedNominatedSouth Indian Cinematographers Association (SICA) Awards23 November 2003Best ActorKamal HaasanWonBest Supporting ActorWonBest Art DirectorWon30 September 2004R. Madhavan(also for and )WonLegacy. There's only one artiste in the whole Universe (!). It's Kamal Hassan. Without him there's no cinema.

Have you watched Anbe Sivam?– Actor in an interview with Malathi Rangarajan of The Hindu on whom he considered to be 'the best actor'.Following its release, Anbe Sivam has attained in Tamil cinema and receives re-runs on television channels. When the film was in post-production, Haasan revealed to film critic and journalist that he was impressed with Madhavan's enthusiasm and performance during the making of the film, subsequently signing him to appear as the protagonist in his production venture, (2003).Baradwaj Rangan wrote that Anbe Sivam was 'leagues ahead of the average Tamil – why, even Indian – film', though he felt that 'the masses were unwilling to accept the experimental nature of the film', while talking about the film's box office failure. During his acceptance speech after winning the in 2010 for (2009), director revealed that a scene in Anbe Sivam where Haasan says to Madhavan, 'when we love others unconditionally without any expectation, we become Gods', inspired him to make his film. Bala also made a reference to Anbe Sivam in his 2003 film, in a scene where 's character goes for a screening of the film with his friends.

A dialogue told by Haasan to Madhavan, 'Do you what a is? Periya alai illa.malai.' (It's not just a big wave.it's a mountain) also attained popularity.In 2008, S. Ashok Kumar of The Hindu listed Anbe Sivam among the 'top five directorial ventures of Sundar C.'

In a 2008 interview with The Times of India, Sundar C. Stated that Anbe Sivam 'changed him personally and professionally', making him a more confident person and altering his outlook towards life.

He later contradicted his statement after revealing that the film's failure led him to become almost bankrupt and he remained unpaid for his work. The froze his bank accounts for a year as he was not able to pay his taxes. He admitted that while he received praises for the film after its theatrical run, he would not make a film similar to Anbe Sivam anymore and that he chose to continue making commercial cinema, which he felt better matched his interests.

In 2013, Haricharan Pudipeddi of the agency, included Anbe Sivam in his list of 'Kamal's most underrated films'. He believed the reason for the film's commercial failure was that audiences misunderstood the 'sarcastic undertones associated with atheism'. On Haasan's birthday, 7 November 2015, Latha Srinivasan of considered Anbe Sivam to be one of the 'films you must watch to grasp the breadth of Kamal Haasan's repertoire'. The character of Nallasivam was ranked fourth in The Times of India's list of 'Kamal Haasan's top 10 mind-blowing avatars'.In (2004), the character Vasool Raja (Haasan), while attending a class asks whether being a doctor is equivalent to being God, and in doing so says 'Anbe Venkatachalam', to which one of his classmates gently asks him, 'isn't it Anbe Sivam?' Haasan retorts: 'Let it be. Let's try something different for a change.' The street theatre sequence featuring Kamal's character, Nallasivam, and his friends performing to make people aware of the atrocities committed by Nassar's character, Kanadasamy Padayatchi, was re-created at in 2008 by Pralayan and his troupe from 'Chennai Kalai Kuzhu' under the title Nammal Mudiyum.

In contrast, Pralayan's play explored gender inequality and domestic violence instead of unemployment. Kannada actor noted in 2010 that fellow actor 's film (2010) bears resemblance to Anbe Sivam. Hari Narayan, writing for The Hindu in 2014, mentions in his article on the Indian and author that 's (2012) was 'a toned down version of Anbe Sivam where rationality propels humans to find God in themselves, with flaws, which extols the virtue of becoming as much as that of being'. In 2015 Uthiran of in, mentions in his review of (2015) that the film's plot 'might remind viewers of Anbe Sivam'. In 2017, Ashok, who directed the comedy film, mentions he was inspired by Anbe Sivam to become a director. From the original on 17 May 2016.

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